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Stefan Constantinescu
Ştefan Constantinescu, born 1968, is a visual artist and film director living and working in Stockholm. He works with various mediums including film, artist books and paintings approaching the political through introspection to challenge notions of identity, while working in and with issues of post-communist Romania.〔Simons Nastac, “Art in Romania Today: Pocket Revolutions”, Hart International, March 2003〕 Constantinescu grew up in Romania during the most austere years of communism, where an ordinary day began with a queue for almost anything (bread, shampoo, gas) - days of routine. As a result his work is often strongly autobiographical.〔Simona Nastac, “Ștefan Constantinescu”, Flash Art No. 256, 2007〕 Within the work, monuments are challenged as permanent inscriptions of memory, fictional films resemble unofficial documentaries, and artist books challenge history and education. Known for his "powerful study of everyday terror" in his short film ''Troleibuzul 92'' that was shown in the Venice Biennale 2009〔Patricia Bickers, Art Monthly, July–August 2009〕〔Lynn Macritchie, “Melancholy Giardini: The National Pavilions”, Art in America, September 2009〕〔Barbara A. MacAdam, “Reviews – 53rd Venice Biennale”, Art News, Summer 2009〕〔Simona Nastac, “New Media, New Europe”, Eikon – International Magazine for Photography and Media Art No. 63, 2009〕
Recent work includes the painting series ''An Infinite Blue'', the pop up book ''The Golden Age for Children'', the film ''My Beautiful Dacia'' (co-directed with Julio Sotto) and the film ''Passagen''. Stefan is currently (2011) working on the curatorial project ''The Last Analog Revolution, a Memory Box'' together with Xandra Popescu, who creates film, text and video projects.〔http://www.stefan-constantinescu.com/〕
== Works ==
In 2009 Stefan Constantinescu, Andrea Faciu and Ciprian Muresan submitted the project ''The Seductiveness of the Interval'' curated by Alina Serban for the Venice Biennale〔(Project Website ). Retrieved May, 2011〕〔Jamie Keesling, “The Seductiveness of the Interval at The Renaissance Society”, Chicago Art Criticism, May 2010〕 The project was selected to represent Romania at the Biennale, along with the films: ''Passagen'' and ''Troleibuzul 92''.〔Patricia Bickers, Art Monthly, July–August 2009. Retrieved May, 2011〕 That same year the ''The Seductiveness of the Interval'' project was remade and exhibited at The Renaissance Society Museum in Chicago.〔The Renaissance Society Museum (Exhibition Archive ). Retrieved May, 2011〕
In 2007, he had a solo show "Thank you for a Wonderful, Ordinary Day" at the National Museum of Contemporary Art in Bucharest.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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